Description is the literary essence of memoir. Among various types of description, personality description is an essential element in memoir writing. The memoirist starts characterization while, due to the realist aspect of memoir, he is deprived of a range of imaginative dimensions and ambiguity in storytelling compared to the character description in other works of art and literature. The book Water Never Dies is the story of Hamid Hesam about the presence of Sardar Mirza Mohammad Solgi in the front, who won the first place in the eighth Jalal Al-Ahmad Award. In 2016, due to the accuracy of the descriptive discussions, the Supreme Leader of the Islamic Revolution wrote a epigram on it. The present study intends to investigate the functions of character description in the book Water Never Dies, using in a descriptive-analytical manner. The results show that in expressing personality traits, much attention has been paid to expressing the moral-intrinsic characteristics of warriors. 74 cases )23. 87%) of functions belong to emotional function, 62 cases of which are related to negative emotions and 12 cases belong to positive emotions. The author has used positive attributes about the spiritual moments and moral characteristics of Iranian warriors, but negative attributes are more about the situations of the imposed war and the injustices of the enemy and the unequal situation of war. Referring to the negative traits of the Iranian forces, the accuracy and correct and meaningful choice of descriptive words indicate a conscious pathology.

One of the most important aspects of recognizing any poet's style is studying his imitation from former poets. In history of Persian literature, the more literature establishment passes, the obvious imitation of poets from former ones it is. This develops in nine century's poem due to failing Persian poetry in innovation and relative stagnancies governing literature and because of the excessive attention of poets to their formers, Ebn Hesam khousfi (875), a distinguished and shia poet of ninth century, is one of those poets following khorasani and Iragi poets especially in sonnet and ode and a great deal of his creativeness has been reflected through this way. Evaluation of amount and the way poet get influence from former poet's style is the topic of the present paper. this paper shows that one of priorities of Ebn Hesam in his composing is meditating in style of former poets Like Roudaki, Ferdowsi, Naser Kkosro, Masoud sa'd, khayam, sanaei, Anvari, Zaheir faryabi, khagani, Nezami, Atar, kamaledin Esmaeel, movlavi, fakhrodin Aragi, sa'di, Hsan kasha, khaju, salman, Hafiz and Katebi Neishabouri and his imitation in more in rhyme, rwo, theme and sometimes using their poems in his tents.

Archaism is one of the many principles of defamiliarization in Russian formalistic theory. The application of archaistic language or the poet's escape from common language and the application of old language structure that has no standard language today is called archaism. This research attempts to describe and analyze the archaism in Hamid Mosadegh poetry. It is a matter of concern that the poet sometimes tends to deliberately or unconsciously use archaistic words and phrases apt to his poetic struclure. He has this point in his mind that using archaistic words and phrases is one of the important methods of endowing to the poetic language. This uncommon method causes highlights and prevents the habits in native language. This article will analyze archaism of Nima's poetry reflected in Mosadegh's poems by going through the text semantically and syntactically.

Considering the ancient culture and history of this land, the existence of myth in Iranian poetry is not new. The use of symbols and myths to enrich language, political and social efficiency of poem, acquaintance with poems and myths of other nations and the use of myths is frequently seen in the poems of contemporary poets. Considering today’s social situation and the symbolic language of his poem, Hamid Mosadegh have an extensive approach toward myth, this attitude is not deep in all instances, sometimes names and symbols of myths are just in the level of verbal language. Epic, love and different nations’ myths, have found a symbolic nature in his poem and mystical myths have been applied to the surface structure. In each of the discussed myths, through examples it is shown which symbol or symbols are used and how far are consistent with their primary symbols. It’s also figured out that the use of love and epic myths is more in his poems, because his poems are mostly patriotic and romantic.

'Extra-regularity' is one of the devices of de-familiarization in Russian formalism. In this technique a rule is added to the regulations of the language leading to foregrounding in literary texts. The process of Extra Regularity is equivalence in its widest meaning created through verbal repetition which leads to musical tones and enhances the ability of the poet to benefit form language capabilities.In this study, the authors try to examine Hamid Mosadeq's poetry in regards to Extra Regularity as a literary device through phonological and lexical analysis, in order to see how this technique has assisted Mosadeq to utilize de-familiarization and ultimately to get to foregrounding and a more musical tone in his poems.

"Standard language", "sub-standard language" and "meta-standard language" are the language types of many varieties. Use of sub- standard language in making poetry, known as “stylistic deviation”, is one of the ways of highlighting poetic language. More attention to this technique of language in the contemporary period was paid by Nima. Nima believed that all words have the potentiality to enter the realm of poetry. No word is essentially poetic or non-poetic, but the way of using words by the poet determines its poetic value...

Nostalgia is one of the great issues of discussion in psychology which has a strong relationship with memory and rememberance.Regretting over the sweet past events and the contrast between the present time and the past is called nostalgia. The concept of nostalgia has a history as old as the fall of Adam which has devoted the credit of so many literary works since a long time ago. Hamid Mosadegh is one of the contemporary poets and nostalgia is prominent in his poems. In fact, nostalgia has been represented in Mosadegh’s lyric poems and in the form of individual nostalgia. On the other hand, collective nostolgia can be seen in the socio-political poems of this poet and remembering the period of just sovereignty, liberty and safety, also regretting about the lifetime of Adam in paradise and tendency to return to the primary eras of human beings and a period away from nastiness and impurity. This study is aimed at examining the different aspects of nostalgia in Mosadegh’s poems.

Hamid Sabzavari is one of the prominent poets whose poetry indicates the hardships and suffering of Islamic revolution era and the internal pains of holy defense time. In fact, he is a national revolutionary poet who incites people against oppression, encouraging them to fight and endure, and criticizes those who are indifferent toward the Pahlavi Regime's depravity and the oppression of Baath regime of Iraq. Illustrating a suffered nation's bravery and courage, this heroic and tireless poet blames the Pahlavi Regime and reveals Baathist's cruelty. In addition to inciting people, whenever he finds an opportunity, he criticizes laxity. The present study was conducted through a descriptive-analytical method, aiming at representing the aspects of resistance literature, so that at the end such aspects as antioppressionism, martyrdom, struggle and sacrifice, criticizing tyranny, revealing enemy's crime, etc. are illustrated in his revolutionary poetry.

Isma‘ilian philosopher Hamid al-Din Kermani (d.411 H.) has played a considerable role in establishing and completing Isma‘ilian philosophical opinions and in describing theological principles of Fatemian. Reproposing the imamate of Fatemi Imams and the connection of the lowest state of being and embodiment of earthly degrees of Imam with the degrees of being and creation have been known to be his bold properties of thought. The questions of this paper run as: how did Hamid al-Din theorize and rethink Isma‘ilian concept of imamate and principles of thought.And what can be counted as the consequences of his action? Accordingly the hypothesis of the paper consists in: Hamid al-Din, presenting a combined and comparative semi-proposal with an interpretative approach, a reasonable foundation and a philosophical essence, sought to reconsider Isma‘ilian principles of thought and offered an organized proposal for Isma‘ilian theological principles centering on Fatemi Imam.

Hakim Abdul Hamid was born in Dehli in 1908. At the age of 14, he was in charge of a drugstore which was inherited from his father. He devoted all his life to serving people and maintaining ethical values and religious beliefs with upright piety and austerity. He always pursued two main objectives: (a) scientific introduction and promotion of Islamic-Iranian traditional medicine as well as introduction of traditional medical treatments to the international audiences, and (b) establishment of educational research institutes to properly instruct the new generation. In 1964, he undertook to establish the Hamdard National Foundation aimed at treating impecunious patients, developing traditional medication, and offering educational and welfare services to cultural institutes in India. Hakim Abdul Hamid paid a particular attention to edification and education of proficient sages and philosophers. In 1997, he was conferred the honorary membership of the Iran Academy of Medical Sciences.